This page lists all previous and forthcoming individual papers from both past and current issues of Musicology Research. If you wish to access the online articles in full, then please click the 'Publications' tab from the top menu. From this tab you will also be able to find the complete e-Journal volume (open-access downloadable PDF) in which the article was originally published. The following list includes all reference details showing how each article should be cited. Published articles (and their corresponding volume) are in black. Forthcoming articles (and their corresponding volume) are in blue.


                        Use ctrl+F (Windows) or cmd+F (Apple) to find a specific paper or to search for keywords. 
List of Articles

Alekseeva, E. (2017) 'An Exploration of Interdisciplinary Dialogues between Sound, Vision and Movement: A Music Composition Methodology for                            Interactive Media (Video Games)' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) (Spring 2016,
             Vol. 2, pp. 141-158)​.

Arab, R. (2017) 'How Men Became the Sole Adult Dancing Singers in Iranian Films' in Music on Screen: From Cinema Screens to Touchscreens.                                Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Audissino, E. (2017) 'A Gestalt Approach to the Analysis of Music in Film' in Music on Screen: From Cinema Screens to Touchscreens.                                                  Musicology Research (online) (Autumn 2017, Vol. 2, pp. 69-88)​.

​Baron, C. (2016) 'Using the Hang Sound-Sculpture as a Therapeutic Tool: A Heuristic Enquiry' in Music as Creative Process and Creative Product:                              Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 185 - 210).

Bolgar Smith, K. (2017) 'Finding a Space to Dance: Screening Popular Music in American Honey (2016)' in Music on Screen: From Cinema Screens to                       Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 7-26)​.

Bols, I. (2017) 'Programming Screen Music: the Case of British and French Symphony Orchestras' in Music on Screen: From Cinema Screens                                    to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 183-200)​.

Bongiovanni, P. (2017) '8-bit Nostalgia and Hollywood Glamour: The Modern Autonomy of Video Game Audio' in Music on Screen: From Cinema                              Screens to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 159-182)​.

Bravo, F. (2017) 'Exploring the Neuro-cognitive Systems Underlying the Spontaneous Retrieval of Music-evoked Associations within the Movie-viewing                    Experience' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Casco-Centeno, E. (2017) 'Silvestre Revueltas and the Sounds of Identity on the Film Screen in 1930s Mexico' in Music on Screen: From Cinema
             Screens to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Craig, R. (2016) 'Émoi et Moi: A Performer’s Analysis of Émoi for Solo Bass Flute by Evan Johnson' in Music as Creative Process and Creative Product:                      Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 33 - 56).

Curran, D. (2016) 'Harold en Italie (1834): Melancholia and Romantic Loss' in Music as Creative Process and Creative Product: Explorations through                        Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 57 - 100).

Davidson, M. (2016) 'Composition from Social Interaction' in Music as Creative Process and Creative Product: Explorations through Analysis,                                    Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 157 - 184).

Francis, B. (2016) 'Not Falling For Make-Believe? Scepticism and Mockery in The Boys From Syracuse (1938)' in Music as Creative Process and                                  Creative Product: Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1,
             pp. 101 - 114).

Gagatsis, A. (2016) 'Speaking the Sound: Schema Theory and Jazz Improvisation Explored in the Music of Milt Jackason' in Music as Creative Process and                Creative Product: Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 6 - 32).

Gofton, P. (2017) 'Music, Memes and Meaning: A Post-structural Analysis' in Music on Screen: From Cinema Screens to Touchscreens.                                                Musicology Research (online) (Spring 2017, Vol. 2, pp. 27-46)​.

Jacobus, E. (2017) 'Choose Your Own Audio-venture: Soundtrack Choices in Beat Hazard Ultra' in Music on Screen: From Cinema Screens
             to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Lee, A. (2017) 'The Classical Music App Market' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online)
             (Autumn 2017, Vol. 3, pp. tbc)​.


Marshall, K., and Loydell, R. (2017) 'Inside the Box: Brian Eno and Touchscreen Generative Music' in Music on Screen: From Cinema Screens
             to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Morra, S. (2017) 'The Tunisian ʻūin Video Culture' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online)
             (Spring 2017, Vol. 2, pp. 201-224)​.

Plans, E. (2017) 'Composer in Your Pocket: Procedural Musics in Mobile Devices' in Music on Screen: From Cinema Screens to Touchscreens.                                    Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Prescott, T. (2016) 'A Mimetic Analysis of Peacekeepers by Diego Garro' in Music as Creative Process and Creative Product: Explorations through Analysis,              Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 115 - 156).

Samuels, K. (2017) '"I Play the iPad": Adapting Tools and Encouraging Participations through iPad-based Musical Interactions in Inclusive Music                              Workshops' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Shine, J. (2017) '"One Minute of Everything at Once": How music shapes the world of BBC's Peaky Blinders' in Music on Screen: From Cinema Screens                    to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 47-68)​.

Simmons, A. (2017) 'Giacchino as Storyteller: Structure and Thematic Distribution in Pixar's Inside Out (2015)' in Music on Screen: From Cinema Screens              to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 89-116)​.

Sylvanus, E. P. (2017) 'Scoring without Scorsese: Nollywood's Divergent Creative Process' in Music on Screen: From Cinema Screens to Touchscreens.                       Musicology Research (online) (Spring 2017, Vol. 2, pp. 117-140)​.

Thorpe, C. (2017) 'The Use of 20th Cenutry Music within the Popular Video Game Franchise Fallout' in Music on Screen: From Cinema Screens
              to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.