This page lists all previous and forthcoming individual papers from both past and current issues of Musicology Research. If you wish to access the online articles in full, then please click the 'Publications' tab from the top menu. From this tab you will also be able to find the complete e-Journal volume (open-access downloadable PDF) in which the article was originally published. The following list includes all reference details showing how each article should be cited. Published articles (and their corresponding volume) are in black. Forthcoming articles (and their corresponding volume) are in blue.


                        Use ctrl+F (Windows) or cmd+F (Apple) to find a specific paper or to search for keywords. 
List of Articles

Alekseeva, E. (2017) 'An Exploration of Interdisciplinary Dialogues between Sound, Vision and Movement: A Music Composition Methodology for                            Interactive Media (Video Games)' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) (Spring 2016,
             Vol. 2, pp. 141-158)​.

Arab, R. (2017) 'How Men Became the Sole Adult Dancing Singers in Iranian Films' in Music on Screen: From Cinema Screens to Touchscreens.                                Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

 (2018) ‘Person-Environment Relationships: influences beyond acoustics in musical performance’ in Geography, Music, Space. Musicology              Research. (Spring, 2018. Vol. 4).
   
 (2018) ‘‘O monstrous! O strange!’ Culture, nature, and the places of music in the Mexican Leeward’ in Geography, Music, Space.                            Musicology Research. (Autumn, 2018. Vol. 5).

Audissino, E. (2017) 'A Gestalt Approach to the Analysis of Music in Film' in Music on Screen: From Cinema Screens to Touchscreens.                                                  Musicology Research (online) (Autumn 2017, Vol. 2, pp. 69-88)​.

​Baron, C. (2016) 'Using the Hang Sound-Sculpture as a Therapeutic Tool: A Heuristic Enquiry' in Music as Creative Process and Creative Product:                              Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 185 - 210).

Bolgar Smith, K. (2017) 'Finding a Space to Dance: Screening Popular Music in American Honey (2016)' in Music on Screen: From Cinema Screens to                       Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 7-26)​.

Bols, I. (2017) 'Programming Screen Music: the Case of British and French Symphony Orchestras' in Music on Screen: From Cinema Screens                                    to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 183-200)​.

Bongiovanni, P. (2017) '8-bit Nostalgia and Hollywood Glamour: The Modern Autonomy of Video Game Audio' in Music on Screen: From Cinema                              Screens to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 159-182)​.

Bravo, F. (2017) 'Exploring the Neuro-cognitive Systems Underlying the Spontaneous Retrieval of Music-evoked Associations within the Movie-viewing                    Experience' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Centeno, E. C. (2017) 'Silvestre Revueltas and the Sounds of Identity on the Film Screen in 1930s Mexico' in Music on Screen: From Cinema
             Screens to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Craig, R. (2016) 'Émoi et Moi: A Performer’s Analysis of Émoi for Solo Bass Flute by Evan Johnson' in Music as Creative Process and Creative Product:                      Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 33 - 56).

Curran, D. (2016) 'Harold en Italie (1834): Melancholia and Romantic Loss' in Music as Creative Process and Creative Product: Explorations through                        Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 57 - 100).

Davidson, M. (2016) 'Composition from Social Interaction' in Music as Creative Process and Creative Product: Explorations through Analysis,                                    Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 157 - 184).

 (2018) 'Staging 'Ariodante': cultural cartographies and dialogical performance’ in Geography, Music, Space. Musicology Research. (Spring, 2018.              Vol. 4).  

Francis, B. (2016) 'Not Falling For Make-Believe? Scepticism and Mockery in The Boys From Syracuse (1938)' in Music as Creative Process and                                  Creative Product: Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1,
             pp. 101 - 114).
   
(2018) ‘Geography and Space: the Music by Giovanni Battista Serini’ in Geography, Music, Space. Musicology Research. (Autumn, 2018, Vol. 5).

Gagatsis, A. (2016) 'Speaking the Sound: Schema Theory and Jazz Improvisation Explored in the Music of Milt Jackason' in Music as Creative Process and                Creative Product: Explorations through Analysis, Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 6 - 32).

(2018) ‘Sounds of the Revolution: Production of Protest Space through Chanting in Tahrir Square’ in Geography, Music, Space. Musicology                      Research. (Spring, 2018. Vol. 4).    

 (2018) ‘Rethinking Politics in Contemporary Music Festivals: A Spatial Perspective and National Identity Issues in Music Festival Research’                  in Geography, Music, Space. Musicology Research. (Autumn, 2018. Vol. 5).    

Gofton, P. (2017) 'Music, Memes and Meaning: A Post-structural Analysis' in Music on Screen: From Cinema Screens to Touchscreens.                                                Musicology Research (online) (Spring 2017, Vol. 2, pp. 27-46)​.

 (2018) ‘Dancing to the “hotline bling” in old bazaars of tehran: persian hip-hop, glocalization, and postmodern theory’ in Geography, Music,                        Space. Musicology Research. (Spring, 2018. Vol. 4).    

 (2018) ‘“(T)Here is a Place . . . (W)Here(?):” Deep Regionalism and Music in Minas Gerais, Brazil’ in Geography, Music, Space. Musicology                            Research. (Spring, 2018. Vol. 4).

(2018) 'The Social and Spatial Basis of Musical Joy: Folk Orc and the Music Centre as Special Refuge and Everyday Ritual’ in Geography, Music,                Space. Musicology Research. (Autumn, 2018. Vol. 5). 

 (2018) ‘War in time, music in space: Dmitri Shostakovich’s Greek Songs in transnational historical context’ in Geography, Music, Space.                        Musicology Research. (Autumn, 2018. Vol. 5).      

Jacobus, E. (2017) 'Choose Your Own Audio-venture: Soundtrack Choices in Beat Hazard Ultra' in Music on Screen: From Cinema Screens
             to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

 (2018) ‘tbc.’ in Geography, Music, Space. Musicology Research. (Spring, 2018. Vol. 4).    

(2018) ‘Listening for Tradition: Constructing a Regional Musical Identity Through Higher Education and Research’ in Geography, Music, Space.              Musicology Research. (Autumn, 2018. Vol. 5).    

(2018) ‘Scenes From an Indigenous City: Music and Lebou Space in Dakar’s Médina’ in Geography, Music, Space. Musicology Research.                            (Autumn, 2018. Vol. 5).  

(2018) ‘“Trapped in Oklahoma”: Bible Belt Affect and DIY Punk’ in Geography, Music, Space. Musicology Research. (Spring, 2018. Vol. 4).    

(2018) 'Musicians in place and space – the impact of spatialization on an improvised music performance’ in Geography, Music, Space.                              Musicology Research. (Spring, 2018. Vol. 4).  

Lee, A. (2017) 'The Classical Music App Market' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online)
             (Autumn, 2017, Vol. 3, pp. tbc)​.

   
(2018) ‘The social production of space through hip hop in Medellín's San Javier district’ in Geography, Music, Space. Musicology Research.                  (Autumn, 2018. Vol. 5).

 (2018) ‘“He is a piece of granite.” Landscape and national identity in early twentieth-century Sweden’ in Geography, Music, Space.                              Musicology Research. (Autumn, 2018. Vol. 5).    
    
Loydell, R., and Marshall, K. (2017) 'Sound Mirrors: Brian Eno and Touchscreen Generative Music' in Music on Screen: From Cinema Screens
             to Touchscreens. Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.
   
 (2018) 'Engagement and Immersion: The extent to which an expanded narrative is present within American Minimalist Music during the 1960s                   and 1970s’ in Geography, Music, Space. Musicology Research. (Spring, 2018. Vol. 4).

Morra, S. (2017) 'The Tunisian ʻūin Video Culture' in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online)
             (Spring 2017, Vol. 2, pp. 201-224)​.

 (2018) ‘Bethlem Hospital and Sound as Biopower in Seventeenth-Century London’ in Geography, Music, Space. Musicology Research. (Autumn,              2018. Vol. 5).  

Plans, E. (2017) 'Composer in Your Pocket: Procedural Musics in Mobile Devices' in Music on Screen: From Cinema Screens to Touchscreens.                                    Musicology Research (online) (Autumn 2017, Vol. 3, pp. tbc)​.

Prescott, T. (2016) 'A Mimetic Analysis of Peacekeepers by Diego Garro' in Music as Creative Process and Creative Product: Explorations through Analysis,              Composition and Performance. Musicology Research (online) (Autumn 2016, Vol. 1, pp. 115 - 156).

Shine, J. (2017) '"One Minute of Everything at Once": How music shapes the world of BBC's Peaky Blinders' in Music on Screen: From Cinema Screens                    to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 47-68)​.

Simmons, A. (2017) 'Giacchino as Storyteller: Structure and Thematic Distribution in Pixar's Inside Out (2015)' in Music on Screen: From Cinema Screens              to Touchscreens. Musicology Research (online) (Spring 2017, Vol. 2, pp. 89-116)​.

Southon, N. (2018) ‘Composing with places in mind: Francis Poulenc’s personal geography’ in Geography, Music, Space. Musicology Research. (Spring,                     2018. Vol. 4).    

Sylvanus, E. P. (2017) 'Scoring without Scorsese: Nollywood's Divergent Creative Process' in Music on Screen: From Cinema Screens to Touchscreens.                       Musicology Research (online) (Spring 2017, Vol. 2, pp. 117-140)​.
   
.(2018) ‘Grassroots music scenes and social renewal in rural communities’ in Geography, Music, Space. Musicology Research. (Autumn,                         2018, Vol. 5).

 (2018) ‘“Claiming back the Arctic”: Evaluating the effectiveness of music as a voice for the indigenous subaltern’ in Geography, Music,               Space. Musicology Research. (Autumn, 2018. Vol. 5).

 (2018) ‘Music, Identity and the Construction of Contemporary Algerian-London’ in Geography, Music, Space. Musicology Research.                                   (Spring, 2018. Vol. 4). 

 (2018) ‘Echoes of Mongolia’s Sensory Landscape in Shurankhai’s Harmonized Urtyn duu’ in Geography, Music, Space. Musicology Research.                         (Spring, 2018. Vol. 4).